“’I'd like you to
play a game of Scrabble with me,’ he says.
I hold myself
absolutely rigid. I keep my face unmoving. So that's what's in the forbidden
room! Scrabble! I want to laugh, shriek with laughter, fall off my chair. This
was once the game of old women, old men, in the summers or in retirement
villas, to be played when there was nothing good on television. Or of
adolescents, once, long long ago. My mother had a set, kept at the back of the
hall cupboard, with the Christmas tree decorations in their cardboard boxes.
Once she tried to interest me in it, when I was thirteen and miserable and at
loose ends.
Now of course it's
something different. Now it's forbidden, for us. Now it's dangerous. Now it's
indecent. Now it's something he can't do with his Wife. Now it's desirable. Now
he's compromised himself. It's as if he's offered me drugs.
‘All right,’ I
say, as if indifferent. I can in fact hardly speak.”
Magaret Atwood uses a modern everyday tool,
and makes it extraordinary in chapter 23 of a Handmaid’s tale. She creates a
sense of danger in playing a game of “old women, old men, in the summers or in
retirement villas.” This makes the reader understand the society that they live
in more, as well as help them realize what the society has done to their
humanity. It has forced them to play these games in the dark of night, so that
no one will know. She uses a simile in comparing scrabble to illegal drugs that
help the reader understand the danger associated with the game. Atwood also
uses an anecdote of the main character to help the mood soften saying that it
was a normal occurrence before this strange, and drastic change.
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